User manual STANTON M.505

[. . . ] · To avoid damage due to AC voltage peaks, always disconnect your mixer from the power source during electrical storms. The manufacturer is not responsible for any damage or personal injury resulting from unauthorized user-servicing or modifications. In addition, the warranty will be void if any unauthorized service by the user is detected. Always return your mixer to an authorized Stanton dealer for servicing. SUPERIOR SOUND TECHNOLOGY Stanton's revolutionary Superior Sound Technology (SSTTM) also gives the M. 505 exceptional sound quality with audio specifications rivaling mixers costing up to four times as much. [. . . ] Headphone Outputs: Connect your headphones to either 1/8" or _" connector (or both for dual headphones). Effects Cue Return: Returns the signal from the sound processor to cue it before sending it to the master or crossfad22. Cue Split: In the split position, the PFL signal is sent to the left ear, and the PGM (Master) signal is sent to the right ear. To hear both signals in this position, the cue pan must be set to the center position. Cue Pan: Mixes between the selected channel (PFL) and the master output (PGM). DESCRIPTION OF FUNCTIONS 26. Effects Master Return: Returns the wet signal from the outboard sound processor to the master output. Level Meter Assign: Assigns the level meter to display the master output level (Master) or the pre-fader input level of 30. Level Meter: Displays the input or output levels of the mixer depending on the setting of the Level Meter Assign (29). This is just another output, although mostly used to monitor the audio in a DJ booth. 34. Record output: This output is used to record audio in order to set the master level without affecting the record level. Channel inputs: Connect your turntables and/or CD players to any of the channel inputs. o Phono inputs are only used when connecting turntables. o Line inputs are used with most common audio devices such as CD players, MP3 players, Samplers, etc. o Mic inputs are used to connect microphones. DESCRIPTION OF FUNCTIONS 38. Channel Trims: In similar fashion as the master trim, the input trims are used to attenuate the audio coming into each channel. Again, this is useful in club settings to restrict DJs who may be unfamiliar with the unit from overloading the inputs. AUX Input Selector: Switches the AUX inputs between line and microphone level. AUX Inputs: Combo connector to plug-in XLR or TRS (tip, ring, sleeve) 1/4" cables. · TIP: When using the AUX inputs at line level, you can connect any studio or P. A. gear equipped with TRS _" or XLR outputs by connecting the left output to AUX 1 and the right output to the AUX 2 input. You can then control the levels of the AUX inputs using channels 1 and 2 together. Effects Return: Connect to the output of your outboard sound processor. CONNECTIONS Inputs · Connect the outputs of your turntables to the RCA phono inputs of your choice. If your turntables have ground connections, make sure to connect them to the ground posts on the mixer. · Connect the outputs of your CD players to the RCA line inputs of your choice. [. . . ] Any returns to a non-authorized dealer or to an authorized Stanton dealer not in the same country as the merchandise was intended to be sold or as set forth above will void this warranty. To initiate a warranty repair, you must contact the authorized Stanton dealer from whom you purchased the merchandise, and follow such authorized Stanton dealer's return policy. Stanton assumes no risk and shall be subject to no liability for damages or loss resulting from the specific use or application made of the merchandise. Stanton's liability for any claim, whether based on breach of contract, negligence, infringement of any rights of any party, or product liability, and relating to the merchandise shall not exceed the price received by Stanton from your purchase of such merchandise. [. . . ]