User manual STANTON SA-8

[. . . ] Again, we appreciate your patronage, and look forward to many years of making music together. Line inputs: Phono inputs: Aux inputs: Return inputs: Send output: Master output: Program outputs: Booth output: Headphone output: Frequency Response: Tone Control : 2 (RCA) x 2 channels, -10 dBV / 37 kOhm 2 (RCA) x 2 channels, -50 dBV / 47 kOhm 2 (RCA) -10 dBV /22 kOhm 2 (1/4"), -10 dBV / 22 kOhm 2 (1/4"), -10 dBV 2 (1/4") Balanced /(RCA) unbalanced, +4 dBu balanced / -10 dBV unbalanced 2 (1/4")balanced x 2 channels, +4 dBu / 100 Ohms 2 (RCA), -10 dBV / 100 Ohms 2 (1/4 inch), greater than 32 Ohm load 20 Hz - 20 kHz, + 1/-2 dB + 9/-20 dB (Hi, Mid, Low) 14 dB Better than 100 dB (ref: max input level) Less than 0. 05% (1 kHz) 12. 6" x 9. 25" x 4. 72" (320mm x 235mm x 120mm) 7. 3 Lbs (3. 3 kgs) P L E A S E READ C A R E F U L L Y BEFO RE USE FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY Max Gain: S/N Ratio: T. H. D: Dimension(LxWxD): Weight: · Follow all security advice printed on your mixer · When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself!· Avoid placing your mixer near heat sources, such as power amplifiers. · When in use, place your mixer on a stable surface, away from vibration. [. . . ] In POST position the FX device is sent a post line fader & crossfader signal via the FX SEND output. (7) Cue Select ­ On this feature, PRE and POST refer to the crossfader (21). In "PRE" position, the signal of control selected by the Cue-pan (9) fader will be monitored (pre-line fader, pre-crossfader) as a stereo signal in the headphones. The "POST" position, is somewhat similar to the "PRE" position, except the signal is post crossfader (21) (pre-line fader, post-crossfader), so if the cue pan fader is centered, the signal received in the headphone depends on the position of the crossfader (21). In "MASTER" position, the signal monitored will be pre-master volume (post-faders), meaning the signal will still be present in the headphone even if the master volume is turned down. (8) Auto Cue ­ Auto cue is an automatic cueing system that is controlled by the position of the crossfader (21). If the crossfader were placed on PGM1, PGM2 would be heard through the headphones and vice versa. (9) Cue pan: Fades the headphone output between channels 1 and 2, effectively allowing the user to preview a mix while in "PRE" cue mode. 2. Once fader is removed from unit, remove the two screws (A) from the end of the fader body where the wires exit the fader casing. Taking great care, remove the slider assembly (C), ensuring that the wiper contacts (D) are not damaged as this will affect the operation of the fader. Clean the slider assembly by gently wiping the wiper contacts and slider bearings (E) using a tissue or cotton bud. If slider bearing are excessively worn, as indicated by excessive slider rocking then contact Stanton for replacement. Remove the single upper screw on the opposite end block to remove the guide rail. Clean the guide rail (F) with a tissue or cloth, removing all traces of dirt and contamination. B F G C 4. Place fader track on desk or working surface with black D contacts facing upwards. If necessary, the track can be washed in warm water, wiped gently then dried thoroughly using a dry cloth. Use a lint free cloth or swab to wipe the tracks and check for marks along the track. (Note: Lint free cloth should be used to avoid dust and fibers being deposited on the track). If the track appears excessively worn, or if cleaning does not improve operation, replacement may be necessary. Examine the center channel of the fader body and if dirty, clean using cotton buds. Re-assemble and lubricate the fader as follows: 6. 1) Secure the end block and guide rail onto the fader body. 6. 4) Lubricate the guide rail by placing one drop of silicon liquid oil onto the guide rail (F). FADER CLEANING AND REPLACEMENT After constant scratch use the SA-8 faders may need to be cleaned and lubricated from time to time. [. . . ] (38) Phono Inputs ­ Dual RCA phono level inputs for connecting turntables. (39) Line Inputs ­ Dual RCA inputs for connecting line level devices such as cd players, samplers, etc. . . (40) PGM Reverse ­ Reverses the signal sent to line faders 1 and 2. When reversed, PGM 2 line fader will control PGM 1's audio signal, and vice versa. [. . . ]