User manual STANTON SA12

[. . . ] This innovative family of mixers has been developed with input from the professional DJ community, bringing to the marketplace a previously unavailable, affordable combination of user-friendly, functional design, rugged construction, and professional quality features. Stanton and your authorized Stanton dealer are dedicated to your complete satisfaction by offering benchmark service and support throughout the long life of your Stanton product. Again, we appreciate your patronage, and look forward to many years of making music together. Line inputs: Phono inputs: DJ mic input: Master output: 2 (RCA), -10dBV @ <10Kohm 2 (RCA), -50dBV @ <10Kohm 1 (1/4 inch), 2. 45 mV / 3K ohm 2 (1/4" TRS Balanced/RCA unbalanced), Balanced 4dBu into 10Kohm Unbalanced: -10dBV into 10Kohm; Headphone output: recommended Frequency Response: Tone Control : Mic Tone: 20 Hz - 20 kHz, +0 dB + 9 / Kill dB (Hi, Mid, Low) Hi/Lo +/-10 dB 1 (1/4 inch), 1 Minijack (1/8 inch) 32 - 200 ohms Dynamic Range: PLEASE READ CAREFULLY BEFORE USE FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY S/N Ratio: Phono EIN: Dimension (LxWxD): Weight: · Follow all security advice printed on your mixer · When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself! [. . . ] 6. 7) Secure the remaining end block ensuring that the track wires (I) are not pinched between the endblock and fader casing. Once assembled, move the slider from end to end to ensure operation is smooth. (NOTE: As noted earlier if you do not want to change positioning of fader, keep the 2 fader plate screws loose and shift the fader until it is aligned with the marks you created in step 1, then tighten fader plate screws. ) FEATURES: · Focus Fader V2 Digital Optical Crossfader (Patent Pending) with curve adjustment and reverse switch. · OS2 (Patent Pending) Optical Scratch switches with lock feature · Removable effects module (Patent Pending). SA-12 includes MOD1: Pitch Shifter, Flanger, and Delay; with Parameter and Mix controls. · Effects fully assignable · Foot pedal output to control effects. · 3 position cue select (Patent Pending) Pre CF Cue / Post CF Cue / Master. · 3 band EQ with complete kill, Gain, and Pan control per channel. · Cue Pan Fader · Dual headphone inputs (1/4 and 1/8 mini-jack). · Quiet-Start feature to avoid pops / noise when mixer is powered on. DESCRIPTION OF FUNCTIONS FADER CLEANING AND REPLACEMENT After constant scratch use the SA-12 faders may need to be cleaned and lubri cated from time to time. This will ensure long life and keep a smooth feeling throughout the fader's lifetime. Follow the instructions below to lubricate and clean your faders: Removing a fader: 1. Make sure mixer is powered off and power supply is disconnected from back of mixer. To remove the lower faceplate, take off the 3 fader knobs and then remove the 4 screws located on the sides of the mixer (2 on each side). Remove the fader to be cleaned or replaced by unscrewing the 2 outer screws on the fader plate (removing the 2 inner screws will detach the fader from the fader plate). Disconnect the fader from mixer by removing the 4pin connector on the bottom of the fader. Once original fader has been removed, simply plug the 4-pin connector into the new fader. NOTE: The SA-12 comes with 2 connectors, one for P+G faders and one for Focus Faders. Set selector switch to position of fader you are using (P+G or Focus Fader). (NOTE: The P&G fader is designed with floating mounting threads for precise mechanical centralising of the fader. If you desire to keep your fader`s current mounting position we suggest that you make 2 marks on both ends of the fader on the fader plate to indicate the P&G fader posi tion. ) See Figure 4. Once fader is removed from unit, remove the two screws (A) from the end of the fader body where the wires exit the fader casing. [. . . ] Ground connector : Connects to the turntable ground connector to elim inate electrical hum. Balanced Master output: TRS balanced (1/4") connectors are typical ly used to connect to a P. A. mixer or an amplifier for live performances or a recording console for recording. Unbalanced Master output: RCA connectors are typically used to con nect to a home stereo or to another mixer with RCA inputs for practicing or team routines. [. . . ]